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brutal, britney, angry about, company, comedy, mad about, image, drunk whore, sledging(cricket), drunk naked woman, gladys' comedy room, david eggers, drunkteen fuck, art director, accident driving drunk, seanbaby, 1, screen, electronicgaming monthly, comedy clubs, web dafesign, get drunk and be somebody, This integrity of theme and presentation, excites me. Similarly, your textually poignant (and sub-textually provocative) cautionary tale preluding my phototropic/photopoetic commentary, was stirringly appreciated.       In pondering the phenomenon free mom and son sex of textual and graphic representation in your issue, it seems remarkable that one is free mom and son sex able to finger the steam of erotic ambiguity through textually evocative devises--and with such impunity(!). Your prelude, for example, explodes with such free mom and son sex naked articulation all over the page; depicting the erotic fluidity of the censored photos in a narrative braille that seduces a quiet voyeurism: a perceptual dimension which is highly protected by poetic license and the licentiousness of a "private read".       The graphic image, on the other hand, is more immediately discursive; an instance of gestalt; a momentary intercoursing with a figurative depiction (or so one would enjoy believing!):
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     André Breton said that Jarry not only was the first to champion Rousseau, but also the first to recognize the genius of Cezanne, Renoir, Manet, Gauguin, and Van Gogh. Breton writes, "it gladys' comedy room is striking to see to what degree posterity has sanctioned his judgment" ("Alfred Jarry, Initiateur et Eclaireur," La Cle des champs, 400).      When critics like Linda Hutcheon can write phrases such as, "I call monstrous all inexhaustible beauty!--then fish will ride bicycles in perpetual motion. gladys' comedy room      Kirby Olson. SUZANN KOLE QUESTIONS FRAMING OF HER WORK IN CORPSE Both in its aesthetic precision as gladys' comedy room well as animate chaos of virtual detail, Issue 10 of Exquisite Corpse is indeed visually illustrative of the pandemonium inherent to "sex and terror."
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