 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
| robbedby bank of america, mom fucking son, hairy, momand son, product, momby, easydrunk girl, mcsweeney's, rage, muse.hysteria, viagrajokes, video: thriller, drunk spring break girl, advertising, drunk driving conviction, chick drunk, audio, name development, ha, drunk boob, | The ancient priest draws De Sade's views attention to a candlelit stage upon which we see performed scenes from De Sade's life, thereby triggering a series of flashbacks within flashbacks and fantasies within fantasies that constitute the bulk of the film. Although De Sade’s screenplay is credited to Richard Matheson — who wrote most of Corman's Poe films — the fantasy flashback structure clearly derives from The Trip, which Matheson views had no involvement in. Mirroring Dennis Hopper's relationship to Peter Fonda in The views Trip, John Huston plays a combination master of ceremonies and judge, who invites De Sade to reflect upon the sins of his past. Since this is 1969, there is little overt sadomasochism in the film. De Sade is presented mainly as a heterosexual libertine, and the red-tinted orgy sequences show lots of bare tits and ass but of course no actual fucking. |
Best Mature Paysites
|
| The film bears no resemblance to any of Endfield's prior films (of which the best known is Zulu), and one suspects he had very little to do with it — other than to lend it a little prestige. Thematically and structurally, its closest relatives are two earlier Corman films, The Masque of the Red Death and The Trip. (The multi-director method of shooting is reminiscent of product Corman's product The Terror.) Like The product Masque of the Red Death, De Sade begins with the fairy tale-like image of an old woman gathering sticks in the woods. Then, as in the openings of so many of Corman's Poe films, we see a man on horseback approaching what appears to be a deserted castle or chateau. The man is, of course, Keir Dullea as Louis Alphonse Donatien, the Marquis de Sade. (Physically, Dullea's chiseled good looks resemble those of two other Corman protagonists of this period, Peter Fonda in The Trip and John Phillip Law in Von Richthofen and Brown.) Arriving at the ruined chateau, De Sade finds himself locked inside with an ancient tormentor (John Huston as the Abbe De Sade) who may or may not be a product of De Sade's imagination. |
|
Looking for real sex? Find someone now on the
largest sex personals network.FREE signup! Post a FREE erotic ad w/5 photos, flirt in chatrooms, view explicit live Webcams, meet for REAL sex! 30,000 new photos every day! Find SEX now 
|
