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Given the dynamism of the penetrating image, it is apparent that the asynchrony inherent to text--i.e.: words "beating off" on each other long before we readers are engaged with andrewmother fucking hutchins their sentience--slows us behind in a dust of metaphorical ambiguities. Subsequently, without this chrono-textual retardant, we are more readily open to blaming our Judeo-Christian selves for projections of moral perversities conjured in the dark protocol of a glossy andrewmother fucking hutchins graphic assignation! ...And Andrei....what of this reiterative sense of "ambiguity" peppered throughout your andrewmother fucking hutchins text--how it causes me pause as I note the term is pit against words like "innocuous" and "innocence" (incidentally, from the same Latin root, nocere). I ponder this op/positionalism and wonder if it is in response to a pre/positioned paradigm of normalcy wherein "innocence" or "innocuous" are assumed to posture in an essential tension with the monstrous porno/graphy (i.e.;
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