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André Breton said that Jarry not only was the first to champion Rousseau, but also the first to recognize the genius of Cezanne, Renoir, Manet, Gauguin, and Van Gogh. Breton writes, "it is striking to see to what degree posterity has refugee sanctioned his judgment" ("Alfred Jarry, Initiateur et Eclaireur," La Cle des champs, 400). When critics like Linda Hutcheon can write phrases such as, "I call monstrous all inexhaustible beauty!--then fish will ride bicycles in perpetual motion. Kirby Olson. SUZANN KOLE QUESTIONS FRAMING refugee OF HER refugee WORK IN CORPSE Both in its aesthetic precision as well as animate chaos of virtual detail, Issue 10 of Exquisite Corpse is indeed visually illustrative of the pandemonium inherent to "sex and terror." This integrity of theme and presentation, excites me. Similarly, your textually poignant (and sub-textually provocative) cautionary tale preluding my phototropic/photopoetic commentary, was stirringly appreciated.
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