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unbridled engagement challenging the imagination to find focus and fidelity on its own (gods forbid!). Given the dynamism of the penetrating image, it is apparent that the asynchrony inherent to text--i.e.: words "beating off" on each other long before we readers are engaged with their sentience--slows us behind in a dust of metaphorical ambiguities. Subsequently, without drunk driving this chrono-textual retardant, we are more readily open to blaming drunk driving our Judeo-Christian selves for projections of moral perversities conjured in the dark protocol of a glossy graphic assignation! ...And Andrei....what of this reiterative sense of "ambiguity" peppered throughout your text--how it drunk driving causes me pause as I note the term is pit against words like "innocuous" and "innocence" (incidentally, from the same Latin root, nocere). I ponder this op/positionalism and wonder if it is in response to a pre/positioned paradigm of normalcy wherein "innocence" or "innocuous" are assumed to posture in an essential tension with the monstrous porno/graphy (i.e.;
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