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| ascii art farts, wrongfully terminated, sonfriend, drunk lesbian teen, labor laws, drunk toilet, arizona driving drunk law, marquis de sade, cuntsmilf, fiction, free porn, advertisements, rape rays, son, stress, free mom and son sex, discussion board, | The ancient priest draws De Sade's attention to a candlelit stage upon which we see performed scenes from De Sade's life, thereby triggering a series of flashbacks within flashbacks and fantasies within fantasies that constitute the bulk of the film. Although De Sade’s screenplay is credited to Richard Matheson mom mature son gallery — who wrote most of Corman's Poe films — the fantasy flashback structure clearly derives from The Trip, which Matheson had no involvement in. Mirroring Dennis Hopper's relationship to mom mature son gallery Peter Fonda in The Trip, John Huston mom mature son gallery plays a combination master of ceremonies and judge, who invites De Sade to reflect upon the sins of his past. Since this is 1969, there is little overt sadomasochism in the film. De Sade is presented mainly as a heterosexual libertine, and the red-tinted orgy sequences show lots of bare tits and ass but of course no actual fucking. |
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| Thematically and structurally, its closest relatives are two earlier Corman films, The Masque of the Red Death and The Trip. (The multi-director method of shooting is reminiscent of Corman's The Terror.) Like The Masque of the Red Death, De Sade begins with the discussion board fairy tale-like image of an old woman gathering sticks in the woods. Then, as in the openings of so many of Corman's Poe discussion board films, we see a man on horseback approaching what appears to discussion board be a deserted castle or chateau. The man is, of course, Keir Dullea as Louis Alphonse Donatien, the Marquis de Sade. (Physically, Dullea's chiseled good looks resemble those of two other Corman protagonists of this period, Peter Fonda in The Trip and John Phillip Law in Von Richthofen and Brown.) Arriving at the ruined chateau, De Sade finds himself locked inside with an ancient tormentor (John Huston as the Abbe De Sade) who may or may not be a product of De Sade's imagination. |
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