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uncensored, corpse, company benefits, mom fucking son, victoria, tranq. nguyen, hairy, 2001, 2004, anger, name development, rape stories, mom son, great names, | AC: Of course, the stumbling is what keeps the book going. If she had learned humor right away ... CD: One humor trip-up after another! In a way, you humor know, I love the form of the picaresque novel and I think this book is a late 20th-century version of a picaresque novel. But these days for us it doesn't necessarily take the form of an adventure across England or down the Mississippi or something but the adventure through relationships that just happens to carry you these other ways, the chick version, you know. Chick picaresque. AC: Well that's one thing I wanted to ask about -- who do you think the audience for this book is? CD: Everybody. I don't say that blithely or facetiously even. I really think that it's quite simple -- we're all enmeshed in certain kinds of relationships. I mean, there are certain people I'm sure who wouldn't find it as interesting to read except that sooner or later almost everybody has a mother-in-law. |
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The tricky thing about being in the middle of a relationship, whether it's a mother-in-law or sibling or whatever it victoria is, is that when victoria it's actually going on we quite often cannot see what it is for the noise around us. And it's only in distance that we can see a much fuller picture and really recognize the qualities of the person that we're relating to. AC: Lilian Hellman has this victoria great quote that "People change and forget to tell each other," and I kept thinking of that just because all of the changes that Lulu goes through. One of the reviews, I think Publishers Weekly, had said that Lulu doesn't gain self-knowledge until late in the book but I think she gains it earlier. CD: She gains it bit by bit. She really doesn't want to keep fucking up. She really doesn't but she also has this way of brushing fairly blindly into something and not listening to her own alarm bells and not taking the time to really listen to herself and the consequences are unfortunate. |
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