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| israel, asian rape, media, mature, drunk boob, naming companies, drunk naked, fucking, holidays, workers' compensation, drunkteen fuck, identification, advertising, incest, video, jennifernew, eggers, drunk pantie, muse, drunk party girl, | unbridled engagement challenging the imagination to find naughty games focus and fidelity on its own (gods forbid!). Given the dynamism of the penetrating image, it is apparent that the naughty games asynchrony inherent to text--i.e.: words "beating off" on each other long before we readers are engaged with their sentience--slows us behind in naughty games a dust of metaphorical ambiguities. Subsequently, without this chrono-textual retardant, we are more readily open to blaming our Judeo-Christian selves for projections of moral perversities conjured in the dark protocol of a glossy graphic assignation! ...And Andrei....what of this reiterative sense of "ambiguity" peppered throughout your text--how it causes me pause as I note the term is pit against words like "innocuous" and "innocence" (incidentally, from the same Latin root, nocere). |
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| This integrity of theme and presentation, excites me. Similarly, your textually holidays poignant (and sub-textually provocative) cautionary tale preluding my phototropic/photopoetic commentary, was stirringly appreciated. In pondering the phenomenon of textual and graphic representation in your issue, it seems remarkable that one is able to holidays finger the steam of erotic ambiguity through textually evocative devises--and with such impunity(!). Your prelude, for example, explodes with such naked articulation all over the page; depicting the erotic fluidity of the censored photos in a narrative braille that seduces a quiet voyeurism: a perceptual dimension which is highly protected holidays by poetic license and the licentiousness of a "private read". The graphic image, on the other hand, is more immediately discursive; an instance of gestalt; a momentary intercoursing with a figurative depiction (or so one would enjoy believing!): |
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