|
hardcore drunk sluts, free speech, israel, asian rape, media, mature, drunk boob, naming companies, drunk naked, fucking, holidays, workers' compensation, drunkteen fuck, identification, advertising, incest, video, jennifernew,
|
The film bears no resemblance to any of Endfield's prior films (of which the best known is Zulu), and one free mom and son sex suspects he had very little to do with it — other than to lend it a little prestige. Thematically and structurally, its closest relatives are two earlier Corman films, The Masque of the Red Death and The Trip. (The multi-director method of shooting is reminiscent of Corman's The Terror.) Like The Masque of the Red Death, De Sade begins with the fairy free mom and son sex tale-like image of free mom and son sex an old woman gathering sticks in the woods. Then, as in the openings of so many of Corman's Poe films, we see a man on horseback approaching what appears to be a deserted castle or chateau. The man is, of course, Keir Dullea as Louis Alphonse Donatien, the Marquis de Sade. (Physically, Dullea's chiseled good looks resemble those of two other Corman protagonists of this period, Peter Fonda in The Trip and John Phillip Law in Von Richthofen and Brown.)
|
